The Abduction of Modernity
Part I:
The
Race Toward Barbarism
By
Henry C.K. Liu
This series first appeared in
Asia
Times in July 2003
The United
States defines its global "war on terrorism" as a defensive effort to
protect its way of life, beyond attacks from enemies with alien
cultural and religious motives, to attacks from those who reject
modernity itself. This definition is derived from the views of
historian Bernard Lewis, a scholar of Islamic culture at Princeton
University, who traces Islamic opposition to the West beyond hostility
to specific interests or actions or policies or even countries, to
rejection of Western civilization for what it is. To Lewis, Western
civilization stands for modernity. This anti-modernity attitude, he
warns, is what lends support to the ready use of terror by Islamic
fundamentalists.
Samuel Huntington in his
The Clash of Civilizations and the
Remaking of World Order argues that the collapse of the Soviet
Union and the end of the Cold War will bring neither peace nor
worldwide acceptance of liberal democracy. Huntington rejects Francis
Fukuyama's prematurely optimistic "end of history" theme that the
collapse of communism means Western civilization is destined to spread
as people elsewhere seek the benefits of technology, wealth, and
personal freedom it offers. Instead, because technology has been
reserved for exploitation, wealth obscenely maldistributed, and freedom
selectively denied to the powerless, narrow ideological conflict will
transform into conflicts among people with different religions, values,
ethnicities, and historical memories. These cultural factors define
civilizations. Nations will increasingly base alliances on common
civilization rather than common ideology; and wars will tend to occur
along the fault lines between major civilizations.
Huntington points out that embracing materialist science, industrial
production, technical education, rootless urbanization, and
capitalistic trade does not mean the rest of the world will embrace the
culture of the West. On the contrary, he argues that economic growth is
likely to increase the aspiration for cultural sovereignty, breeding a
new commitment to the values, customs, traditions, and religions of
native cultures. The struggle is not capitalism against communism, but
backward civilization against modern civilization.
The fault in both these views is the assumption that modernity is an
exclusive characteristic of the West. On the surface, such views appear
self-evident, since science and technology have been the enabling
factors behind Western ascendance and dominance. But the "modern world"
can be viewed as a brief aberration on the long path of human destiny,
a brief period of a few centuries when narcissistic Western thinkers
mistake technological development as moral progress in human
civilization. Many barbaric notions, racism being the most obvious,
appear under the label of modernity, rationalized by a barbaric
doctrine of pseudo-science. The West takes advantage of the
overwhelming power it has derived from its barbaric values to set
itself up as a superior civilization. The West views its technical
prowess as a predatory license for intolerance of the values and
traditions of other advanced cultures.
Chinese civilization has weathered successive occupation by barbaric
invaders, all of whom as rulers saw fit to adopt Chinese civilization
for their own benefit and contributed to the further development of the
culture they had invaded and subsequently adopted. The history of the
West's interaction with the rest of the world has been culturally
evangelistic, to suppress and encroach on unfamiliar cultures
Westerners arbitrarily deem inferior, often based on self-satisfied
ignorance. Until confronted by Western imperialism, China might have
faced military conquests, but Chinese civilization had never been under
attack. Barbaric invaders came to gain access to Chinese culture, not
to destroy it. The West is unique in its destructive ethnocentricity.
Under the domination of the West, Chinese or other non-Western
intellectuals who do not speak or read Western languages are considered
illiterate and ignorant, while Western "scholars", including the German
philosopher Georg Wilhelm Friedrich Hegel, who do not speak or read
Chinese or other non-Western languages have written erudite books on
Chinese and other non-Western culture.
Gunpowder was invented around the 4th century in China by Taoist
alchemist Ko Hong while seeking an elixir for immortality. It is the
height of Taoist irony that the search for an elixir for immortality
only yields a substance that ends life abruptly. Gunpowder would not be
used in warfare in China until the 10th century, first in incendiary
rockets called
feihuo (flying fire), forerunner of today's
intercontinental ballistic missiles. Explosive grenades would first be
employed by armies of the Song Dynasty in 1161 against Jurchens
(Nuzhen), ancestors of modern-day Manchurians.
In Chinese dynastic culture, the use of firearms in war was considered
cowardly and therefore not exploited by honorable warriors of
self-respect. Firearms would not develop in dynastic China, not because
of the absence of know-how, but because their use had been culturally
circumscribed as not being appropriate for true warriors.
In the history of human progress, willful rejection of many
technological inventions is traceable to cultural preference. This is
the basis for concluding that the technological militarism of the West
is of barbaric roots and that a civilization built on military power
remains barbaric, the reverse of modernity, notwithstanding the guise
of technology.
The oldest picture in the world of a gun and a grenade is on a painted
silk banner found at Dunhuang, dating to the mid-10th century, that
came to be in the possession of Musee Guimet in Paris in modern times.
The museum on Place d'Iena was founded by French industrialist Emile
Guimet, a 19th-century Asian-art collector from Lyon. On the silk
banner, demons of Mara the Temptress, an evil goddess, are shown trying
to harm the meditating Buddha and to distract him from his pursuit of
enlightenment, with a proto-gun in the form of a fire lance and a
proto-grenade in the form of a palm-size fire-bomb. The fact that these
weapons are shown to be used only by evil demons illustrates the
distasteful attitude of the ancient Chinese toward firearms.
Crossbows, known in Chinese as
nu, have a shorter range than
double-curved longbows and are slower in firing. But they became
devastatingly accurate after a grid sight to guide their aim was
invented 23 centuries ago by Prince Liu Chong of the imperial house of
the Han Dynasty (206 BC-AD 220).
Crossbows were first used 28 centuries ago in the Spring and Autumn
Period (
Chunqiu 770-481 BC) when their employment in the hands
of the infantry neutralized the traditional superiority of war
chariots. The use of crossbows thus changed the rules of warfare and
the balance of power in the political landscape of ancient China,
favoring those states with large
sheren (commoner) infantry
forces over those with powerful chariot-owning militant
guizu
(aristocrats).
The earliest unification of China by the Legalist Qin Dynasty (221-207
BC), whose unifying ruler was an antagonist of fragmented aristocratic
feudalism, was not independent of the geopolitical impact of crossbow
technology.
History records that in 209 BC, the Second Emperor (Er Shi, reigned
209-207 BC) of the Qin Dynasty, son of the unifying Qin Origin Emperor
(Qin Shihuangdi, reigned 246-210 BC), who fought 26 years of continuous
war to unify all under the Qin Dynasty (221-207 BC), which subsequently
lasted only 14 years before collapsing, kept a crossbow regiment of
50,000 archers.
Han Dynasty historian Sima Qian, author of the classic
Records of
the Historian (Shi Ji), wrote in 108 BC that a member of the Han
royalty, the prince of Liang Xiao (Liang Xiao Wang), was in charge of
an arsenal with several hundred thousand crossbows in 157 BC.
Two working crossbows from China, dating from the 11th century AD, one
capable of repeat firing, came to be in the modern-day collection of
the Simon Archery Foundation in Manchester Museum at the University of
Manchester, England.
Most triggers and sights used in crossbows in China were manufactured
by master craftsmen who signed their metal products with inscribed
marks and dates. Shen Gua (1031-94), renowned Bei Song Dynasty
(Northern Song 960-1127) scientist cum historian on Chinese science and
technology, referred to his frustration over his inability to date
accurately an 11th-century excavation, upon finding on a crossbow
mechanism the inscription "stock by Yu Shih and bow by Chang Rou", but
with no accompanying dates.
Even in 10th century BC, production of crossbows in China had already
involved a sophisticated system of separation of manufacturing of parts
and mass assembly of final products.
Crossbows were last used in war in China by the Qing Dynasty army in
1900, with tragic inadequacy, against the invading armies of eight
allied European powers with more deadly firearms.
The ancient Greeks employed crossbows successfully at Syracuse in 397
BC. After the fall of the Roman Empire, crossbows reappeared in Europe
only after the 10th century. They were used at the Battle of Hastings
in 1066 by William the Conqueror.
The Second Lateran Council of 1139 condemned crossbows, together with
usury, simony, clerical marriage and concubinage. Their use was banned
under the anathema of the Church, except for use against infidels. The
ban on crossbows was a position of moral righteousness yet to be taken
by Christendom in modern times on the use of nuclear arms and other
weapons of mass destruction.
Richard, Coeur de Lion (1157-1199), mostly absentee king of England
(1189-99) and less-than-successful hero of the Crusades, took many
crossbows on his Third Crusade in 1190. Hernando Cortes (1485-1547),
Spanish conquistador, used the crossbow as one of his main weapons in
subjugating Mexico in the 16th century.
In medieval warfare, the rules of European chivalry required, as those
of dynastic Chinese martial arts did, that honorable combat be personal
and bodily. Arrows were considered cowardly by medieval Europeans, as
firearms were by dynastic Chinese up to the 19th century. The use of
bows and arrows was stooped to only by those outside of the
socio-military establishment, the likes of outlawed English yeomen of
the 12th century, such as Robin Hood and his chief archer, Little John,
legendary folk heroes of English ballads. Another famous 13th-century
archer was the legendary Swiss patriot William Tell, whose story would
be made popular by Friedrich von Schiller's drama and later by
Gioacchino Antonio Rossini's popular opera.
European knights, when prepared to suffer calculated losses, were able
to survive slow-firing enemy crossbows with limited range. In
sufficient numbers, the horsemen were able to decimate in full gallop
an unprotected line of much-despised enemy crossbow-men. However, they
were not able to overcome fast-firing longbows with long range.
Two millennia after the invention of crossbows in China, the Battle of
Crecy of the Hundred Years' War, which took place on August 26, 1346,
first demonstrated the effectiveness of Edward III's English archers,
composed mostly of newly recruited, socially shunned yeomen with
longbows, against the respectable armored French knights of Philip VI.
Similarly, the Battle of Agincourt on October 25, 1415, decisively
confirmed the obsolescence of hitherto invincible French aristocratic
knights on horseback. In opposition, English yeomen, commoner
foot-soldiers, members of a class unappreciated by their social betters
in their home society, applied with glory in war a despised killing
tool designed for illegal poaching in peace. Armed with a fresh
military application of ignoble longbow technology, the socially
inferior English yeomen in the form of simple unarmored
infantry-archers, proved their battlefield supremacy to the socially
superior French aristocrats in the form of powerfully armored mounted
knights.
The Battle of Agincourt marked the end of the age of chivalry and
announced the obsolescence of its stylized methods of warfare. It also
heralded the beginning of a period in which the sovereign would look
for military support from the gentry of his realm rather than
traditionally from the aristocracy. This gave rise to the resulting
political implication that henceforth war would have to be fought for
national purpose or religious conviction rather than for settling
private feuds among royalties.
In William Shakespeare's
Henry V, the central scene of which
features the Battle of Agincourt, the most glorious in English history,
King Henry addresses his yeomen soldiers in a famous nationalistic
exultation:
"Dishonour not your mothers; now attest
That those whom you call'd fathers did beget you.
Be copy now to men of grosser blood,
And teach them how to war. And you, good yeomen,
Whose limbs were made in England, show us here
The mettle of your pasture; let us swear
That you are worth your breeding; which I doubt not;
For there is none of you so mean and base
That hath not noble lustre in your eyes.
I see you stand like greyhounds in the slips,
Straining upon the start. The game's afoot;
Follow your spirit; and, upon this charge
Cry 'God for Harry! England and Saint George!'"
After the battle scene, Shakespeare (1564-1616) has King Henry recount
the French dead:
"The names of those their nobles that lie dead:
Charles Delabreth, High Constable of France;
The Master of the Cross-bows, Lord Rambures ..."
In ancient Chinese warfare, the code of honorable martial conduct
required that combat be personal, bodily and frontal. Combatants were
organized according to rank, as per all other social activities in a
class-conscious and rigidly hierarchical society.
Jiangjun
(generals) were pitted against
jiangjun, captains against
captains and foot soldiers against foot soldiers. Social segregation
was reflected in the proverb: "Earthenware does not deserve collision
with porcelain."
Expertise in corporeal martial skill was so highly prized that
jiangjun
were frequently expected to engage personally in one-on-one combat with
their opposing counterparts. Battles were sometimes won or lost
depending on the outcome of high-ranking personal duels under the
watchful eyes of troops on each side. By Tang time in the 7th century,
however, the cult of martial chivalry in which individual valor
determined the outcome of battles already had become only a legend of
the past. Firepower was still considered cowardly. And the use of
firearms was not acceptable to proud warriors as respectable members of
the social elite. Until influenced in modern times by popular Hollywood
films on the American Wild West, Chinese children playing war would
prefer swordfights to gunfights.
Gunpowder remained unknown in the West until the late 10th century.
However, Europeans abandoned outmoded rules of chivalry after the
Middle Ages and enthusiastically incorporated firearms and artillery
into the lexicon of their military arts after the late 15th century. In
contrast, thanks to the Confucian aversion to technological progress,
Chinese military planners did not modernize their martial code, basing
foreign policy on the principle of civilized benevolence. They
continued to suppress development of firearms as immoral and
dishonorable up to the 19th century, much to China's misfortune.
As a result, European armies arrived in China in the 19th century with
superior firearms. They consistently and repeatedly scored decisive
victories with their small but better-armed expeditionary forces over
the numerically superior yet technologically backward, sword-wielding
Chinese army of the decrepit Qing Dynasty (1636-1911).
China's most influential revolutionary, Mao Zedong, proclaimed in
modern times his famous dictum: "Political power comes from the barrel
of a gun." He was in fact condemning the obsolete values of
Confucianism
(ru jia) as much as stating a truism in barbaric
modern realpolitik.
Confucian ethics notwithstanding, morality and honor failed to save
China from Western imperialism, because morality and honor require
observation from both opponents. It was not a clash of civilizations,
but a clash between civilization and barbarism. Militarism is a race
toward barbarism camouflaged by technology as modernity.
The Boxers Uprising of 1900, the Chinese name for which is
Yihetuan
(Righteous Harmony Brigade), was an extremist xenophobic movement. It
was encouraged as a chauvinistic instrument for domestic politics by
the decrepit court of the Qing Dynasty, dominated by the
self-indulging, reactionary Dowager Empress (Cixi Taihou, 1838-1908).
The Boxer Uprising was used by the Dowager Empress as a populist
counterweight to abort the budding "100 Days" elitist reform movement
of 1898, led by conservative reformist Kang Youwei (1858-1927) around
the young monarch, the weak Emperor Guangxu (reigned 1875-1908),
belatedly and defensively advocating modernization for China.
The members of
Yihetuan, in a burst of chauvinistic frenzy,
rejected the use of modern and therefore foreign firearms in favor of
traditional broadswords. They relied on protection against enemy
bullets from Taoist amulets, their faith in which would remain unshaken
in the face of undeniable empirical evidence provided by hundreds of
thousands of falling comrades shot by Western gunfire. The term Boxer
would be coined by bewildered Europeans whose modern pragmatism would
fill them with a superficial superiority complex, justified on narrow
grounds, over an ancient culture that stubbornly clung to the
irrational power of faith, in defiance of reason.
Historians often trace the source of national predicaments to
particular decisions made by leaders based on personal character,
rather than to structural conditions of institutions. This convenient
emphasis on personal political errors at the expense of deterministic
institutional structure tends to nurture speculations that with wiser
decisions, a socio-economic-political order trapped inside an obsolete
institutional system would not necessarily be doomed to collapse under
the strain of its own contradictions. Such speculations are hard to
verify, since it can be argued that bad political decisions by faulty
leaders are not independent of a nation's institutional defects. The
penchant of the sole remaining superpower to resort to overwhelming
force against those not willing to bend to its will may well be an
institutional march from modernity back toward barbarism.
Ironically, the Boxers Uprising so discredited the public image of the
stubbornly reactionary Qing court that, within a decade after its
outbreak, the democratic revolution of Dr Sun Yat-sen succeeded in 1911
in overthrowing the three-century-old Qing Dynasty, despite the
effective reactionary suppression of progressive monarchist reform
efforts in the dynasty's last phase, or perhaps because of it.
Extremist reactionaries, in their eagerness to be gravediggers for
progressive reformers, usually become instead unwitting midwives for
revolutionary radicals. The Taoist concept of the curative potential of
even deadly poison was again demonstrated by the pathetic phenomenon of
the Boxers Uprising.
Thus a case can be made that extreme fundamentalist opposition to the
West may be the midwife for modernization of Islamic civilization. The
capitalistic West nurtured and used Islamic fundamentalism as an
antidote against communism in the oil regions of the Middle East during
the Cold War, the same way it had nurtured and used fascism during the
Great Depression. The antidote proves to be more lethal to the
capitalistic West.
Western military prowess, with its arsenal of smart bombs and weapons
of mass destruction ready for deployment to impose its will on others,
is not a march toward modernity, but a retreat toward barbarism. A
civilization built on militarization of the peace remains a barbaric
civilization. What Western militarism has done is to abduct modernity
as synonymous with Western civilization, depriving human civilization
of an evolving process of cultural diversity. The effect of this
abduction of modernity had been profound and comprehensive.
The West is not the only guilty party in history, only the most recent.
Chinese civilization during the Qin Dynasty (221-207 BC) took a great
step forward toward forging a unified nation and culture, but in the
process lost much of the richness of its ancient, local traditions and
rendered many details of its fragmented past incomprehensible to
posterity. Universality and standardization, ingredients of progress,
are mortal enemies of particularity and variety, components of
tradition. Human civilization deserves a richer vision of modernity
than that offered by the West. Until modernization is divorced from
Westernization, non-Western civilizations will continue to resist
modernization.
Tu Weiming, professor of Chinese history and philosophy and director of
the Harvard-Yenching Institute at Harvard University, wrote: "Hegel,
[Karl] Marx and Max Weber all shared the ethos that, despite all its
shortcomings, the modern West informed by the Enlightenment mentality
was the only arena where the true difference for the rest of the world
could be made. Confucian East Asia, Islamic Middle East, Hindu India,
or Buddhist Southeast Asia was on the receiving end of this process.
Eventually, modernization as homogenization would make cultural
diversity inoperative, if not totally meaningless. It was inconceivable
that Confucianism or, for that matter, any other non-Western spiritual
traditions could exert a shaping influence on the modernizing process.
The development from tradition to modernity was irreversible and
inevitable."
Tu suggests that, in the global context, what some of the most
brilliant minds in the modern West assumed to be self-evidently true
turned out to be parochial. In the rest of the world and, arguably, in
Western Europe and North America, the anticipated clear transition from
tradition to modernity never occurred. As a norm, traditions continue
to make their presence in modernity and, indeed, the modernizing
process itself is constantly shaped by a variety of cultural forms
rooted in distinct traditions. The recognition of the relevance of
radical otherness to one's own self-understanding of the 18th century
seems more applicable to the current situation in the global community
than the inattention to any challenges to the modern Western mindset of
the 19th century and the first half of the 20th. For example, the
outstanding Enlightenment thinkers such as Francois Arouet de Voltaire,
Gottfried Leibniz and Jean Jacques Rousseau took China as their major
reference society and Confucianism as their major reference culture. It
seems that toward the 21st century, the openness of the 18th century,
as contrasted with the exclusivity of the 19th century, may provide a
better guide for the dialogue of civilizations.
According to Professor Tu, in light of the ill-conceived hypothesis of
the "coming clash of civilizations, the need for civilizational
dialogues and for exploring a global ethic is more compelling. Among
the Enlightenment values advocated by the French Revolution,
fraternity, the functional equivalent of community, has received scant
attention among modern political theorists. The preoccupation with
fixing the relationship between the individual and the state since
[John] Locke's treatises on government is, of course, not the full
picture of modern political thought; but it is undeniable that
communities, notably the family, have been ignored as irrelevant in the
mainstream of Western political discourse."
In Tu's view, East Asian modernity under the influence of Confucian
traditions suggests an alternative model to Western modernism:
(1) Government leadership in a market economy is not only necessary but
is also desirable. The doctrine that government is a necessary evil and
that the market in itself can provide an "invisible hand'' for ordering
society is antithetical to modern experience in either the West or the
East. A government that is responsive to public needs, responsible for
the welfare of the people and accountable to society at large is
vitally important for the creation and maintenance of order.
(2) Although law is essential as the minimum requirement for social
stability, "organic solidarity" can only result from the implementation
of humane rites of interaction. The civilized mode of conduct can never
be communicated through coercion. Exemplary teaching as a standard of
inspiration invites voluntary participation. Law alone cannot generate
a sense of shame to guide civilized behavior. It is the ritual act that
encourages people to live up to their own aspirations.
(3) Family as the basic unit of society is the locus from which the
core values are transmitted. The dyadic relationships within the
family, differentiated by age, gender, authority, status, and
hierarchy, provide a richly textured natural environment for learning
the proper way of being human. The principle of reciprocity, as a
two-way traffic of human interaction, defines all forms of
human-relatedness in the family. Age and gender, potentially two of the
most serious gaps in the primordial environment of the human habitat,
are brought into a continuous flow of intimate sentiments of human
care.
(4) Civil society flourishes not because it is an autonomous arena
above the family and beyond the state. Its inner strength lies in its
dynamic interplay between family and state. The image of the family as
a microcosm of the state and the ideal of the state as an enlargement
of the family indicate that family stability is vitally important for
the body politic and a vitally important function of the state is to
ensure organic solidarity of the family. Civil society provides a
variety of mediating cultural institutions that allow for a fruitful
articulation between family and state. The dynamic interplay between
the private and public enables the civil society to offer diverse and
enriching resources for human flourishing.
(5) Education ought to be the civil religion of society. The primary
purpose of education is character-building. Intent on the cultivation
of the full person, schools should emphasize ethical as well as
cognitive intelligence. Schools should teach the art of accumulating
"social capital" through communication. In addition to the acquisition
of knowledge and skills, schooling must be congenial to the development
of cultural competence and appreciation of spiritual values.
(6) Since self-cultivation is the root for the regulation of family,
governance of state, and peace under heaven, the quality of life of a
particular society depends on the level of self-cultivation of its
members. A society that encourages self-cultivation as a necessary
condition for human flourishing is a society that cherishes
virtue-centered political leadership, mutual exhortation as a communal
way of self-realization, the value of the family as the proper home for
learning to be human, civility as the normal pattern of human
interaction and, education as character-building.
Tu acknowledges that it is far-fetched to suggest that these societal
ideals are fully realized in East Asia. Actually, East Asian societies
often exhibit behaviors and attitudes just the opposite of the supposed
salient features of Confucian modernity indicate. Indeed, having been
humiliated by imperialism and colonialism for decades, the rise of East
Asia, on the surface at least, blatantly displays some of the most
negative aspects of Western modernism with a vengeance: exploitation,
mercantilism, consumerism, materialism, greed, egoism and brutal
competitiveness.
Nevertheless, as the first non-Western region to become modernized, the
cultural implications of the rise of "Confucian" East Asia are
far-reaching. The modern West as informed by the Enlightenment
mentality provided the initial impetus for worldwide social
transformation. The historical reasons that prompted the modernizing
process in Western Europe and North America are not necessarily
structural components of modernity. Surely, Enlightenment values such
as instrumental rationality, liberty, rights consciousness, due process
of law, privacy and individualism are all universalizable modern
values. However, as the Confucian example suggests, "Asian values" such
as sympathy, distributive justice, duty-consciousness, ritual,
public-spiritedness and group orientation are also universalizable
modern values. Just as the former ought to be incorporated into East
Asian modernity, the latter may turn out to be a critical and timely
reference for the American way of life.
Next:
That
Old Time Religion